CV

Pau Waelder

Independent art critic and curator, researcher in new media art.

PhD Candidate in Information and Knowledge Society, Universitat Oberta de Catalunya (UOC) and Bachelor in Art History from the University of Barcelona, he has obtained the Diploma of Advanced Studies in the Department of Historical Sciences and Art Theory at the Universitat de les Illes Balears. He has developed his career with a continuing interest in contemporary art and digital art, which he has explored from different perspectives: curator, critic, academic researcher and also working with art galleries.

His recent projects include the exhibitions Extimacy. Art, intimacy and technology (Es Baluard Museum of Modern and Contemporary Art, 2011), Habitat (Urbanea, 2011), Colmena (Pilar and Joan Miró Foundation, 2010), FLOW (CCA, 2008) and Metapaisatges (Pilar and Joan Miró Foundation , 2007), as well as the lecture series En_lloc (Pilar and Joan Miró Foundation, 2009).  With Fernando Gómez de la Cuesta, he has curated the exhibition cycles Zona Zero and (HIPER)vincles at Casal Solleric (2010-2013) and the artist-in-residence program CRIdA in Palma de Mallorca (2011-2012). Since 2011 he is a member of the curatorial team at the Art Futura festival.

He has been member of the Jury of the Pilar Juncosa and Sotheby’s Awards (Pilar and Joan Miró Foundation, 2009), the Ciutat de Palma 2009 Awards (City of Palma, 2010) and the international contest for digital art FILE PRIX LUX (Sao Paulo, 2010), among others.

He has published articles and essays in several publications, among which the contemporary art magazines ETC Magazine (Canada), art.es (Spain) and a:minima (Spain), as well as the peer-reviewed journals Leonardo (US), M/C Journal (Australia) and Artnodes (Spain), among others. He is currently the editor of the Media Art section at art.es magazine, editor and writer at the blog Arte y Cultura Digital from the UOC and writer at the website VIDA Art and Artificial Life from Fundación Telefónica. He also regularly writes texts for books on contemporary art and digital culture.

Contact: pau [at] pauwaelder [dot] com

Curator of art exhibitions

January – March, 2013. Irene de Andrés. IDEA. Donde nada ocurre. Zona Base, Casal Solleric, Palma, Spain. Co-curated with Fernando Gómez de la Cuesta.

November, 2012 – February, 2013. Martin John Callanan: Martin John Callanan. Galería Horrach Moyà, Palma, Spain.

September, 2012 – January, 2013. Carlos Aires. Es Pain. Zona Base, Casal Solleric, Palma, Spain. Co-curated with Fernando Gómez de la Cuesta.

May – September, 2012. Albert Pinya + Robert Gutiérrez. RolePlay Colonial. Zona Base, Casal Solleric, Palma, Spain. Co-curated with Fernando Gómez de la Cuesta.

April – June, 2012. Miguel Soler. Basado en hechos reales. Zona Zero, Casal Solleric, Palma, Spain. Co-curated with Fernando Gómez de la Cuesta.

March – May, 2012. Martin John Callanan. Global. Zona Base, Casal Solleric, Palma, Spain. Co-curated with Fernando Gómez de la Cuesta.

November, 2011 – January, 2012. Cecilia Segura. Vibratio. Zona Zero, Casal Solleric, Palma, Spain. Co-curated with Fernando Gómez de la Cuesta.

June – September, 2011. Jérôme Leuba. Battlefields. Zona Zero, Casal Solleric, Palma, Spain. Co-curated with Fernando Gómez de la Cuesta.

May, 2011 – 2012. CRIdA Artist-in-residence program. Fundació Palma Espai d’Art, Palma, Spain. Co-curated with Fernando Gómez de la Cuesta.

March – April, 2011. Hábitat. Urbanea Festival, Inca, Spain.

January – May, 2011. Extimacy. Art, Intimacy and Technology. Es Baluard Museu d’Art Modern i Contemporani, Palma, Spain.

September – November, 2010. Daniel Palacios. Outcomes. Zona Zero, Casal Solleric, Palma, Spain. Co-curated with Fernando Gómez de la Cuesta.

July – October, 2010. Colmena. Pilar i Joan Miró Foundation, Palma, Spain.

March – June, 2008. FLOW. CCA Andratx, Mallorca, Spain.

April – May, 2008. Metalandscapes. Landscape in Digital Art. Deichtorcenter Hamburg, Germany.

October, 2007 – January, 2008. Metalandscapes. Landscape in Digital Art. Pilar i Joan Miró Foundation, Palma, Spain.

September 2007. Pedro Vidal: You Know Who You Are. JAM Art Fair, Palma, Spain.

Art critic and researcher

September, 2012. Coordination and presentation. First meeting on curating and art criticism ACCAIB. Es Baluard Museu d’Art Modern i Contemporani, Palma, Spain.

February, 2012 – today. President of the Art Critics and Curators Association of the Balearic Islands (ACCAIB).

February, 2012. Panel participant. I+C+i // Our life online. CCCB Lab, Barcelona, Spain.

October, 2011. Coordination and participation in the panel: Reviewing the Future. Art Futura Festival, Alhondiga, Bilbao, Spain.

September, 2011. Jury member, Premi Rei en Jaume d’Arts Visuals. Ajuntament de Calvià, Spain.

July, 2011. Jury member, Certamen Internacional d’Arts Plàstiques. Ajuntament de Pollença, Spain.

July 27, 2010. Paper presentation “Inner Voices and Data Flows”, FILE Festival (Sao Paulo, Brazil).

May, 2010. Jury member, FILE PRIX LUX, International Award for Media Art. FILE Festival, Sao Paulo, Brazil.

November, 2009. Coordination. Art and Electronic Media, presentation by Edward A. Shanken. Es Baluard Modern and Contemporary Art Museum, Palma, Spain.

November, 2009. Jury member, Premi Ciutat de Palma 2010. International Award for Contemporary Art. Fundació Espais d’Art, Ajuntament de Palma, Mallorca, Spain.

September, 2009 – today. Reviewer: ETC Magazine. Media art magazine. Montréal, Canada.

September 2009. Jury member Premi Pilar Juncosa i Sotheby’s 2009. International Award for Contemporary Art. Pilar i Joan Miró Foundation, Palma, Spain.

June, 2009. Concept and coordination of the conference: Now_Here. Dialogues Among Art, Territory and Technology. Pilar i Joan Miró Foundation, Palma, Spain.

March 7, 2009. Paper presentation “Watchmen. The end of innocence”, NextComic Festival (Linz, Austria).

November, 2008 – June, 2009. Communications advisor, Maior Contemporary Art Gallery. Palma, Spain.

November, 2008 – today. Editor of the Media Art section in art.es magazine. Madrid, Spain.

October 24, 2008. Paper presentation “Metalandscapes. Landscape in Digital Art”, 3rd Eurorregional Cultural Encounters (Palma, Spain).

March, 2008 – today. Art critic at Diari de Balears. Mallorca, Spain.

September – December, 2007. Art commentator, TV program: Babilònia. IB3 Televisió. Palma, Spain.

June, 2007 – 2010. Contributing writer: Cultura Mallorca Magazine. Mallorca, Spain.

June, 2007 – June, 2008. Reviewer: Magazine du Centre International d’Art Contemporain. Online media art magazine. Montréal, Canada

July, 2006 – January, 2008. Correspondent: Vernissage TV. Online video magazine devoted to contemporary art exhibitions. Basel, Switzerland.

November 7, 2007. Paper presentation “Interactive Art”. Digital Culture (Palma, Spain).

October 7, 2006. Paper presentation “Bruised and Happy: the Addicted PainStation Players”. Mediaterra International Art and Technology Festival (Athens, Greece).

April 2005 – March, 2007. Founding member: Artactiva. Cultural projects agency. Palma, Spain.

December 5, 2003. Paper presentation “The Electronic Brillo Box”. 1st International Conference on Arthur Danto and the End of Art (CENDEAC, Murcia, Spain).

August, 2004 – today. Correspondent: art.es. Contemporary art magazine. Madrid, Spain.

July, 2004 – September, 2008, Reviewer: a::mínima. Media art and digital culture magazine. Barcelona, Spain.

April, 2004 – today. Reviewer: Furtherfield. Online resource about media art. London, United Kingdom.

September 2003 – September, 2007. Site editor: Artnodes. Online journal about art, science and technology. Universitat Oberta de Catalunya. Barcelona, Spain.

Publications

Books

2011

“Stream of Consciousness”, in Grégory Chatonsky: Capture. Paris: HYX éditions.

“On Cinema and the Historical Real”, in Goldberg, RoseLee (ed.) Performa 09. Back to Futurism. Edited by RoseLee Goldberg, Performa. New York.

2010

“A New Species”, in Colmena. Fundació Pilar i Joan Miró a Mallorca. Palma.

2009

“From the duck of Vaucanson to the electric sheep”, in ELF. Electronic Life Forms. Cologne.

2008

“An Enhanced Duelling Artefact: PainStation and the Role of Competition in Videogames”, in Extending Experiences. Structure, Analysis and Design of Game Player Experience. Rovaniemi: Lapland University Press.

2006

“Bruised and Happy: the Addicted PainStation Players”, Gaming Realities. A challenge for digital culture. (Ed. Manthos Santorineos). Athens: Fournos.

Magazines and exhibition catalogues

2013

“Sharing by default”, “Sachiko Kodama: sculpting impermanence”, in Art Futura. Feed the Web. Barcelona: Art Futura.

“White Cube Augmented: AR Art and the Gallery Space”, ETC. Révue de l’art actuel, Vol. 97. Montréal: ETC Inc.

“Different but always the same: the online art market”, ETC. Révue de l’art actuel, Vol. 98. Montréal: ETC Inc.

“Link Center for the Arts: towards a paradigm shift”, art.es. Media Art, Vol. 52. Madrid: Salamir.

“Martin John Callanan: on systems and processes”, art.es. Media Art, Vol. 53-54. Madrid: Salamir.

“Rafaël Rozendaal: the web as ultimate freedom”, art.es. Media Art, Vol. 55. Madrid: Salamir.

“XPO, an art gallery in the digital age”, art.es. Media Art, Vol. 56. Madrid: Salamir.

“Varvara Guljajeva and Mar Canet: on Networks and the Culture of Transience”, ETC. Révue de l’art actuel, Vol. 99. Montréal: ETC Inc.

“Carroll/Fletcher: Art beyond Medium”, ETC. Révue de l’art actuel, Vol. 101. Montréal: ETC Inc.

2012

“Our culture is digital”, in Art Futura. Nuestra cultura es digital. Barcelona: Art Futura.

“An Interview With Carlo Zanni : On Pay-per-view Net Art”, ETC. Révue de l’art actuel, Vol. 95. Montréal: ETC Inc.

“New Media Art and the Zeitgeist”, ETC. Révue de l’art actuel, Vol. 96. Montréal: ETC Inc.

“Rafael Lozano-Hemmer: Fragments of a Source Code”, art.es. Project section, Vol. 47-48. Madrid: Salamir.

“Taxonomedia: the preservation of media art”, art.es. Media Art Section, Vol. 47-48. Madrid: Salamir.

“Mauro Ceolin: the Artist as Researcher”, art.es. Media Art Section, Vol. 49. Madrid: Salamir.

“Lynn Hershman-Leeson: Excavating Histories”, art.es. Media Art Section, Vol. 50. Madrid: Salamir.

“Collezione Maramotti”, art.es, Vol. 50. Madrid: Salamir.

Reviews published at Diari de Balears about several subjects, including: CCA Artist in Residence Program, Mariana Vassileva, Marcelo Víquez, Carles Congost, Albert Pinya, Mónica Fuster.

2011

“The Future of the Art of the Future”, in Art Futura. Repasando el futuro. Barcelona: Art Futura.

“The Intimate is Other”, in Extimacy. Art, intimacy and technology. Es Baluard Museu d’Art Moderni Contemporani. Palma.

“Breaking the Frame: Inside the White Cube”, in PASSAGES. Works from the Thyssen-Bornemisza Art Contemporary Collection. Laboral Centro de Arte y Creación Industrial. Gijón.

“Preserving the Ephemeral”, ETC. Révue de l’art actuel, Vol. 91. Montréal: ETC Inc.

“Media Art and the Art Market (part 3): Interview with Magdalena Sawon and Tamas Banovich from Postmasters art gallery”, art.es. Media Art Section, Vol. 41. Madrid: Salamir.

“UBERMORGEN.COM’s Scripted Art”, ETC. Révue de l’art actuel, Vol. 92. Montréal: ETC Inc.

“Venice at the Digital Divide”, art.es. Media Art Section, Vol. 45. Madrid: Salamir.

“MUU, the Other Art in Finland”, art.es. Media Art Section, Vol. 46. Madrid: Salamir.

“Ars Electronica: Repair”, ETC. Révue de l’art actuel, Vol. 92. Montréal: ETC Inc.

“Manfred Mohr: Art as a Calculation”, art.es. Media Art Section, Vol. 47. Madrid: Salamir.

“Extimacy: The Other in Me”, ETC. Révue de l’art actuel, Vol. 93. Montréal: ETC Inc.

“Grégory Chatonsky: Capturing Impermanence”, ETC. Révue de l’art actuel, Vol. 94. Montréal: ETC Inc.

Reviews published at Diari de Balears about several subjects, including: Christian Boltanski, Venice Biennial (Venice), Los Carpinteros, Supermarket (Stockholm), Carlo Zanni, Sandra Vázquez de la Horra, Tanit Plana.

2010

“Art and Electronic Media: Firing a Canon at the History of Art”, ETC. Révue de l’art actuel, Vol. 89. Montréal: ETC Inc.

“Advocating the Future: Media Art at the Festivals”, ETC. Révue de l’art actuel, Vol. 90. Montréal: ETC Inc.

“To users, with Love and Respect”, art.es. Media Art Section, Vol. 36-37. Madrid: Salamir.

“Observing Complexity”, art.es, Vol. 36-37. Madrid: Salamir.

“UBERMORGEN.COM”, art.es, Vol. 36-37. Madrid: Salamir.

“Media Art and the Art Market (part 1): Interview with Steve Sacks”, art.es. Media Art Section, Vol. 38. Madrid: Salamir.

“Media Art and the Art Market (part 2): Interview with Wolf Lieser”, art.es. Media Art Section, Vol. 39. Madrid: Salamir.

“Ars Electronica: Repair”, art.es. Media Art Section, Vol. 40. Madrid: Salamir.

“Graciela Iturbide: se es aquello que se fotografía”, art.es, Vol. 40. Madrid: Salamir.

Reviews published at Diari de Balears about several subjects, including: Gunnar Friel, Fernando Prats, ARCO (Madrid), Armory Arts Week (New York), Supermarket (Stockholm), Massimo Vitali, Democracia, Joan Morey.

2009

“The ineluctable modality of the visible”, in Premis Ciutat de Palma 2009. Exhibition catalogue. Palma: Ajuntament de Palma.

“Towards a History of Electronic Art (parts 1 and 2)”, art.es. Media Art Section, Vol. 33 and 34-35. Madrid: Salamir.

“Ai Weiwei”, art.es., Vol. 34. Madrid: Salamir.

“Aesthetics of flow”, art.es. Media Art Section, Vol. 32. Madrid: Salamir.

“Takashi Murakami”, art.es, Vol. 32. Madrid: Salamir.

“Faites vos jeux”, in Cadàver Exquisit. Exhibition catalogue. Palma: Projecte Llevant.

“Murakami Takashi: to be read backwards”, Cultura Mallorca, Vol. 9.

“Don’t say new media, call it art (part 2)”, art.es. Media Art Section, Vol. 30-31 (ARCO Special Issue). Madrid: Salamir.

“Barbie doesn’t live here anymore”, in Tatiana Sarasa. Follow the Pattern. Exhibition catalogue. Alcúdia: Ajuntament d’Alcúdia.

Reviews published at Diari de Balears about several subjects, including:  Mar Oliver, Cadàver exquisit, Premis Ciutat de Palma, ARCO (Madrid), Miroslav Tichy, Reframing, Urbanea, Adam Chapman, Marcelo Víquez, Premis Sa Nostra, Enric Font, Martin Parr, Joan Cortés, Amparo Sard, Zones de Risc, Art Futura, Joana Vasconcelos.

2008

“Don’t say new media, call it art (part 1)”, art.es. Media Art Section, Vol. 29. Madrid: Salamir.

“Readyseen, or the found image”, in Paz Alcoverro, Déja Vu 1998-2008. Exhibition catalogue. Manacor: Patronat d’Arts Plàstiques

“Ars Electronica: a new cultural economy”, art.es. Media Art Section, Vol. 28. Madrid: Salamir.

“Kind of alive”, in Urban Living. Exhibition catalogue. Pittsburg: Woodstreet Galleries.

“The Zelig complex”, in Identidad perdida. Exhibition catalogue. Palma: Centre d’Art la Real.

“Lois Renner: painting through the looking glass”, art.es, Vol. 28. Madrid: Salamir.

“Martial Museum of Terrestrial Art”, art.es., Vol. 26. Madrid: Salamir.

“Domestic transcendences (Mateo Maté)”, art.es., Vol. 24-25 (ARCO Special Issue). Madrid: Salamir

Reviews published in Diari de Balears about several subjects, including:  JeongMee Yoon, Javier Arce, Fourth Triennial of Photography (Hamburg), ArtCologne (Cologne), Lois Renner, Jason Martin, Supernatural, Izabella Jagiello, Jordi Bernadó, Amador (Osnabrück), Rites of Passage, Ping Festival, Phillipe Chatelain, Javier Martínez Bueno, Miquel Barceló.

2007

“Games of Pain: Pain as Haptic Stimulation in Computer-Game–Based Media Art”, Leonardo Vol. 40 num. 3. Massachussets: MIT Press.

“Dialogue Structures”, in Discursos comparados. Exhibition catalogue. Mendoza: Centro de Arte Contemporáneo.

“Digital art in Korea: from Nam June Paik to chaebol”, art.es., Vol. 21. Madrid: Salamir.

“Metalandscapes”, in Metalandscapes. Landscape in Digital Art. Exhibition catalogue. Palma: Fundació Pilar i Joan Miró a Mallorca.

“Mónica Fuster: laboratory of instinct”, art.es., Vol. 20. Madrid: Salamir

2006

“Average Shoveler, by Carlo Zanni”, A minima. Vol. 17. Barcelona: Espacio & Publicaciones.

“Painting as object”, art.es. Vol. 15. Madrid: Salamir.

“Vitalogy”, art.es. Vol. 12-13. Madrid: Salamir.

“Talking alone”, art.es. Vol. 12-13. Madrid: Salamir.

2005

“Fighting Massive Single-User Isolation”, A minima. Vol. 13. Barcelona: Espacio & Publicaciones.

“Interview with Natalie Bookchin”, A minima. Vol. 12. Barcelona: Espacio & Publicaciones.

“Interview with Conor Mc Garrigle”, A minima. Vol. 11. Barcelona: Espacio & Publicaciones.

“The contained gesture”, art.es. Vol. 9. Madrid: Salamir.

2004

“Interview with Steve Sacks”, A minima. Vol. 8. Barcelona: Espacio & Publicaciones.

“25 years of Ars Electronica”, art.es. Vol. 5. Madrid: Salamir.

“Fabrizio Plessi”, art.es. Vol. 4. Madrid: Salamir.

Online magazines and journals

2012

Articles published at Arte, Cultura e Innovación. UOC – LABoral Centro de Arte y Creación Industrial:

“Art Micro Patronage: crowdfunding para el net art”

“Aram Bartholl: esto no es digital” 

“VIP Art Fair 2.0: la feria como base de datos”

“The New Aesthetic: tropezar con una teoría”

“Comisariado en la red: espacios virtuales y Filter Feeders”

“10 proyectos de arte y redes sociales”

“Entrevista a Vanina Hofman, directora de Taxonomedia”

“10 proyectos de arte y realidad aumentada”

“Interview with Manfred Mohr: Art as a Calculation”

“10 proyectos de arte y geolocalización”

“Art.sy: coleccionar arte por folcsonomía”

“Bank: retrato de un proyecto de crowdfunding”

“10 proyectos de arte y videojuegos”

“10 proyectos de crowdfunding” 

“10 proyectos de arte, economía y mercado”

“ARTFORUM en la brecha digital”

2011

Articles published at Arte, Cultura e Innovación. UOC – LABoral Centro de Arte y Creación Industrial:

“Artistas en el laboratorio o el puente entre las dos culturas”

“Machinima: dentro del videojuego y más allá”

“Privacidad 2.0: lo público y lo privado en la banda de Moebius”

“Google Art Project, en el museo imaginario”

“Crowdfunding: el consumidor como (micro) productor”

“El consumidor como protagonista y como producto de consumo”

“Michel Gondry: la fábrica de films amateurs”

“¿Hay vida después de VIDA? Entrevista a Mónica Bello”

“El flujo de datos, una ficción en la Red”

“Demasiada proximidad de todo: la intimidad en un mundo sin distancias” 

“El mundo es una pantalla o el teatro de la telepresencia”

“Monografías de artistas, entre el ensayo y el catálogo”

“ARIS, creando narraciones geolocalizadas”

“Manfred Mohr: una estética programada”

“Los pabellones invisibles: arte y realidad aumentada en la Bienal de Venecia”

“El arte (italiano) en la era de los videojuegos”

“Sistemas vivos: arte y vida artificial”

“Arte contemporáneo y «numérique»”

“ArtFutura XXI: repasando el futuro”

“Rhizome Artbase: estrategias para la conservación del arte digital”

“Fuck the Systsem o los límites del juego”

“Portátil y hermético: arte en el iPhone (parte 1)”

“Portátil y hermético: arte en el iPhone (parte 2)”

“Sistemas vivos y redes de datos: los Golden Nica de Ars Electronica 2011”

“Objetos hechos de datos: arte digital e impresión 3D”

“Adobe Museum of Digital Media: un museo desubicado”

“ARtSENSE: una experiencia aumentada del museo”

“Art Futura: el pasado y el futuro del arte”

“La tercera ley de Clarke”

“Carlo Zanni: la obra flexible”

“InVeritas: artivismo para el ciudadano indignado”

“Goteo: crowdfunding elevado a red social”

“[s]edition, arte para la Larga Cola”

“VIDA 13.2: robots y seres vivos”

2010

“The Constant Murmur of Data”, M/C Journal. Vol.13 num.2

Articles published at Arte, Cultura e Innovación. UOC – LABoral Centro de Arte y Creación Industrial:

“Abierto al público: FILE 2010 São Paulo”

“Más o menos vivos: arte y formas de vida electrónica”

“Escribiendo la historia del arte digital”

2009

“Murakami Takashi: léase de atrás hacia adelante”, Salon Kritik.

2008

“Submit to the gods”, Magazine du CIAC, 31

“Games of Pain”, Artnodes: Node num.7. Playability: art, computer games and culture.

2007

“Thorsten Knaub: Drawing in the Emptiness of Space”, Magazine du CIAC, 29

“Gazira Babeli: Day for Night”, Magazine du CIAC, 28

“Gregory Chatonsky: Contemplating the flow”, Magazine du CIAC #27 (10th Anniversary Special)

2005

“Florian Cramer: Words Made Flesh”, Furtherfield.

“Conor McGarrigle: Work in Progress”, Furtherfield.

“Ars Electronica: visions of the future”, Artnodes. UOC.

2004

“Someth;ng’s cooking”, Furtherfield.

“The Furminator”, Furtherfield.

“The Free, Visible Network”, Furtherfield.

Interviews and video documentaries

2008

“Rites of Passage” (Galeria Maior, Mallorca)

“Rites of Passage: Antonio Paucar” (Galeria Maior,Mallorca)

“Tatsumi Orimoto: Finger Dolls” (Galeria Maior, Mallorca)

“Núria Marquès: The Unfairy Landscapes” (Galeria Maior, Mallorca)

2007

“Metalandscapes” (Fundació Pilar i Joan Miró, Mallorca). Vernissage TV.

“Baltazar Torres: a Perfect Day in a Perfect World” (Fundació Pilar i Joan Miró, Mallorca). Vernissage TV.

“Et Voilà! Technology meets Magic at SONAR” (CCCB, Barcelona). Vernissage TV.

“Berlin at KIAF 2007” (Video in 3 parts, Seoul, South Korea). Vernissage TV.

“Spain at KIAF 2007” (Video in 2 parts, Seoul, South Korea). Vernissage TV.

“KIAF 2007” (KIAF, Seoul, South Korea). Vernissage TV.

“Comic Strip, Passion’s Trip” (Matucana 100, Santiago, Chile). Vernissage TV.

“Alcover, 1995-2006” (Casal Solleric, Mallorca). Vernissage TV.

2006

“Nit de l’Art” (Palma, Mallorca). Vernissage TV.

“Bill Viola. Night Journey”. (Pollença, Mallorca). Vernissage TV.

“Sculpture Grande 06”. (Prague, Czech Republic). Vernissage TV.

“Bernardi Roig. The Light-Exercises Series” (Kunstmuseum Bonn, Germany). Vernissage TV.

2004

“Interview with W. Bradford Paley”, (with Pau Alsina) Artnodes. UOC.

“Interview with Christa Sommerer and Laurent Mignonneau”, (with Pau Alsina) Artnodes. UOC.

“Interview with Gerfried Stocker”, (with Pau Alsina) Artnodes. UOC.

“Interview with Michael Naimark”, (with Pau Alsina) Artnodes. UOC.

2003

“Interview with Marc Downie”, Artnodes. UOC.

“Access, by Marie Sester”, Artnodes. UOC.

“Interview with Henry Newton Dunn and Ryota Kuwakubo”, Artnodes. UOC.

“Interview with Scott Snibbe”, Artnodes. UOC.

“Interview with Steve Sacks”, Artnodes. UOC.

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