Selected writing

2017
Write, re-write, backup: piecing together the histories of Net art. ETC MEDIA Issue #111. Montréal: ETC Inc
Networked or unmonumental: Spanish contemporary art after the Internet. Estonian Art, 1/2017. Tallinn: Estonian Institute.

2016
Selling and collecting art in the network society. Interactions among contemporary art new media and the art market. PhD Thesis, Universitat Oberta de Catalunya.
New media in the contemporary art market: access, ownership and artificial scarcity. La Fondation Daniel Langlois pour l’art, la science et la technologie.
The art market in the era of access. Anuario AC/E de Cultura Digital. Madrid: Acción Cultural Española.
Keep it alive or let it die: preservation of new media art, curating and the art market. ETC MEDIA Issue #109. Montréal: ETC Inc
Niio: the future of collecting video and digital art. art.es. Media Art, Vol. 69. Madrid: Salamir.
On the conflict between owning and sharing digital artworks. ETC MEDIA Issue #108. Montréal: ETC Inc
Galerie Charlot, placing new media art in the art market. art.es. Media Art, Vol. 68. Madrid: Salamir.

2015
How to sell online art and make millions (of visits). The Wrong Biennale.
Arte Post-Internet o la estética relacional 2.0. Input nº3. Madrid: Syzen Media.
Digital art can no longer be ignored: interview with Wolf Lieser. art.es. Media Art, Vol. 62-63. Madrid: Salamir.
DAD: A System for Collectors of Digital Art. art.es. Media Art, Vol. 65. Madrid: Salamir.
Interview with Ben Vickers, Curator of Digital at Serpentine Galleries. art.es. Media Art, Vol. 66-67. Madrid: Salamir.
Framing Digital Art. ETC MEDIA Issue #104. Montréal: ETC Inc.
The Description of an Infinite Set of Drawings. ETC MEDIA Issue #106. Montréal: ETC Inc.

2014
Coleccionar intangibles: estrategias de venta de obras de net art. Artnodes. N.º 13, pág. 111-119. UOC
Unpainted: a new node for the digital art market. art.es. Media Art, Vol. 58-59. Madrid: Salamir.
StillReel, streaming art in the age of access. art.es. Media Art, Vol. 60. Madrid: Salamir.
Collecting art in the age of access: interview with Rory Blain, director of Sedition. ETC MEDIA Issue #102. Montréal: ETC Inc.
Transfer: out of the browser, into the gallery space. ETC MEDIA Issue #103. Montréal: ETC Inc.
2013 Digital Divide: A Matter of Habitus. artpress2: L’art numérique, et après?. Paris: Art Publications.
Different but always the same: the online art market. ETC. Révue de l’art actuel, Vol. 98. Montréal: ETC Inc.
XPO, the art gallery in the digital era. art.es. Media Art, Vol. 56-57. Madrid: Salamir.
Carroll/Fletcher: Art beyond Medium. ETC. Révue de l’art actuel, Vol. 101. Montréal: ETC Inc.

2012
An Interview With Carlo Zanni : On Pay-per-view Net Art. ETC. Révue de l’art actuel, Vol. 95. Montréal: ETC Inc.
Rafael Lozano-Hemmer: Fragments of a Source Code. art.es. Project section, Vol. 47-48. Madrid: Salamir.
Lynn Hershman-Leeson: Excavating Histories. art.es. Media Art Section, Vol. 50-51. Madrid: Salamir.
White Cube Augmented: AR Art and the Gallery Space. ETC. Révue de l’art actuel, Vol. 97. Montréal: ETC Inc.

2011
Interview with Steve Sack (bitforms gallery). art.es. Media Art Section, Vol. 38. Madrid: Salamir.
Interview with Wolf Lieser (DAM gallery). art.es. Media Art Section, Vol. 39. Madrid: Salamir.
Interview with Magdalena Sawon and Tamas Banovich from Postmasters art gallery. art.es. Media Art Section, Vol. 41. Madrid: Salamir.